Showing posts with label wall felt. Show all posts
Showing posts with label wall felt. Show all posts

Friday, February 3, 2012

What is Needle Felting? Tattooing Wool onto Fabric


Forest Walk ©2011, needle felt in process
Needle felting is a needlecraft regaining popularity. Many cultures for thousands of years have used needle felting to make rugs, clothing, and other useful items for the home. All cultures that use wool to create textiles have perfected their classic version of this decorative and useful art. 

Today, needle felting is all the rage to make decorative pillows, embellish scarves, and to create wardrobe accessories. Some people are making home décor items out of 100% wool, and others are using wool to decorate items made of many types of other fabrics. I like to say that needle felting onto fabric is like tattooing ink onto skin: both involve single sharp needles and a poking or punching motion to apply color to a smooth surface.
When people say they needle felt, they are likely talking about Dry Felting, or felting without water. There are sewing machine attachments that can be used to needle felt by machine. The kind of needle felting I do in at Nestle and Soar in Colorado is needle felting by hand. Using one barbed felting needle allows me to create intricate detail in wall art using needle felting. Let me explain the process to you!

The craft of dry needle felting bonds a foundational fabric and wool roving together without the use of thread, glue, or sewing needles. Felting needles are long, barbed, and very sharp. You do not hold a felting needle like a sewing needle: the motion required is more like a punching or stabbing than it is a sewing motion. When you punch the barbed needle up and down into the roving, which is loose animal fibers, it pushes the wool through the foundational fabric from top to bottom. The barbs on the needle agitate the wool fiber as it passes up and down through the roving, and this agitation opens the cuticle of the wool fiber, causing it to cling to itself. It also causes it to interlock itself on the underside of the foundational fabric, and that is how it stays put. I often create decorative pillows using linen as the foundational fabric and soft merino or mohair wool roving for the needle felting.



Raspberry and Orange Wool Roving for Felting
It is important to needle felt using a foam pad underneath your work. The felting needle should have something soft under the foundational fabric: the needle would be ruined without the pad by breaking its tip against the table top. It is easy to find felting pads made specifically for this craft, or you can also use polystyrene blocks, upholstery foam, or compressed foam. The foam pad I use is 12” x 15” and 2” thick. This size allows me to spread out a large project.

Wool roving provides all the color in needle felt projects. Picture a large pile of colorful cotton candy – that is what wool roving looks like! Roving is readily available in about 10 colors at big-box craft stores, neighborhood yarn shops, and many merchants on the Internet. My preference is to use mohair wool roving. I purchase roving in hundreds of different colors made by small manufacturers and enjoy working with the hand-dyed, environmentally friendly wools they create for this fiber art.

Example of a landscape needle felt by hand
Needle felting is a craft that is great for beginners of all ages. Because sharp, barbed needles are involved, I recommend close supervision of children. After many years of enjoying this fine craft as a fiber folk artist, I still prick my own fingertips on occasion. That being said, with care, good lighting, and a little patience, it is a lot of fun to learn to “paint with wool” using this age-old needle craft!

What kind of felting have you tried? 

Have you taken any felting classes?

I would love to hear from you!

Thanks for stopping by, 
Georgianne

Thursday, May 19, 2011

Nestle and Soar Studio Scene


Long's Peak 100% Wool Landscape
It has been a busy week in my fiber folk art studio! There is something special about hunkering down to artwork when it is consistently rainy and cool outside. My space feels like a cocoon.

I have been looking at my landscape of Long's Peak for a couple of months now as my progress seemed to stop after I accomplished the background layers. I now need to hand embroider and dry felt the mid-range and fine detail work, and I am stumped. I just keep looking at it, waiting for inspiration to strike. I think I should take a drive and sit with my sketch pad for awhile as I look over that scene again. I was inspired while on the gym's treadmill to begin this piece...my view from the west-facing window at my gym is just spectacular. Not sure why some folks stare at the television when they could be looking at this mountain view instead...to each their own.

Coexist Tree in Blue Sky Series, 10"x10"
The last photo shows how messy my work table gets during a busy week. I have been using all these colors of wool -- Delicious. I like having everything close at hand, and at the same time, I long to have everything neatly tucked away. The creative process is not a tidy thing--Don't you agree? I am almost finished with my 10"x10" sky series that depicts a tree with birds; I like to call this design Coexist. Birds in many colors, shapes, types, and all personalities are welcome...Coexist. I plan to make 12 of this design, each slightly different. The trees are becoming more and more plump as I go. Never trust a skinny tree, that's what I say!

My work table right now...
Thanks for stopping by my studio,
Georgianne








Wednesday, November 24, 2010

Duplicating Myself

CafePress Apron with my Art
It is fun to think about all the items one can have photographs applied to these days. I notice on Etsy.com that lots of folks are selling reproductions of their original art as such things as note cards, coffee cups, and wall art. It makes sense to me, as there are only so many 35-hour hand needle felts I can create! If I can take a great photo of my original fiber art and have it printed onto a quality item, that sounds good to me!

I had the folks at CafePress make this apron for me. I'm planning to wear it at holiday craft shows in December! It has large pockets that will come in handy during a busy selling day. It was fun to see how my photograph would look applied to a canvas apron.


Field of Flowers, 16" x 20"
 I have also started working with the friendly people at FinePrint Imagaing in Fort Collins, Colorado. They have a special studio set-up I can use to have my wool wall felts photographed, and the image will be color-corrected by a pro there. (The image I'm showing to the left was photographed by me. Their version will be so clear, I'll be able to reproduce it with pride.) Those images can then be printed onto gallery wrapped canvas or several other substrates! I'm looking forward to seeing how this will work for me. Stay tuned! If you were to have a lovely, textural folk art image displayed in your home, what size would you want it to be?

I wish I could duplicate myself tomorrow as I begin cooking for 10 people at 5am--maybe my husband will be like a mirror image of me :) I do know he's the one to rise and shine and put the turkey in the oven! Happy Thanksgiving to each of you...

Thanks for stopping by,
Georgianne